Seolyeong Jeong — Piano Fingerings Database

RACHMANINOFF | Piano Concerto No. 3 in D Minor, Op. 30: I. Rehearsal 3

Piano fingerings for Piano Concerto No. 3 in D Minor by Sergei Rachmaninoff

“I alternate fingers 4 and 3 in the second measure to prevent kinetic confusion.”

Submitted by Seolyeong Jeong

Published on 8/23/2021

Piano ConcertoMichael ClarkMay 16, 2017Sergei Rachmaninoff, Piano Concerto No. 3 in D Minor (Op. 30), Seolyeong Jeong, redistribution, fingering only, mental securityComment

RACHMANINOFF | Piano Concerto No. 3 in D Minor, Op. 30: II. Rehearsal 30

“I start every left-hand fingering group with 1 to prevent confusion.”

Submitted by Seolyeong Jeong

Published on 8/23/2021

Piano ConcertoMichael ClarkMay 16, 2017Sergei Rachmaninoff, Piano Concerto No. 3 in D Minor (Op. 30), Seolyeong Jeong, fingering only, mental securityComment

RACHMANINOFF | Piano Concerto No. 3 in D Minor, Op. 30: II. Rehearsal 33

Fingerings in Italics are Rachmaninoff’s.

“I chose these fingerings to correspond to the musical phrase/accents.”

Submitted by Seolyeong Jeong

Published on 8/23/2021

Piano ConcertoMichael ClarkMay 16, 2017Sergei Rachmaninoff, Piano Concerto No. 3 in D Minor (Op. 30), Seolyeong Jeong, fingering only, facilitate emphasisComment

RACHMANINOFF | Piano Concerto No. 3 in D Minor, Op. 30: III. Rehearsal 55

Submitted by Seolyeong Jeong

Published on 8/23/2021

“I repeat the fingering of 3/1 to let the top of the chord in the second measure be played with 5. I rearrange the hands in the second measure for the sake of bringing out the melody.”

Piano ConcertoMichael ClarkMay 16, 2017Sergei Rachmaninoff, Piano Concerto No. 3 in D Minor (Op. 30), Seolyeong Jeong, redistribution, improve voicingComment